Batı’nın çeşitli alanlarda ilerlemesi, Osmanlı üzerinde baskı oluşturmaya başlamasıyla birlikte ihtiyaç duyulan değişim ve ilerleme zorunluluğunun açık bir şekilde ortaya çıktığı Tanzimat senelerinde yoğunlaşan yenileşme arzusunun sonucu olarak Batılı bir şiir anlayışı oluşturma isteği
With the advancement of the West in various fields, a desire to create a Western understanding of poetry causes diatribe in Ottoman poetry as a result of wish for innovation that emerged in Tanzimat Reform era appearing necessity of change and progress needed explicitly with the beginning of the West’s pressure on the Ottoman Empire. By emphasizing how to be revealed such critics as artistic and heavy language, imagination system, not being national, artificiality and insincerity, the lack of integrity of the subject and not dealing with social issues are tried to exemplify with the investigation on text. The lyric (ode) of Şeyhülislam Bahâyî Efendi studying the themes such as love, lover, the beauty and disloyalty of lover, seperation, missing and convergence in his lyrics (odes), which is one of the beautiful examples of Ottoman Poetry is chosen though he writes in various poetry types with the aim of investigation. The purpose of the study is to pick up all the assessments directed to Divan Literature and put forward the critics and anti-thesis against these critics with the examples by investigating and try to determine the effects on folk poetry and daily poetry, concepts and the way of images which are handled and the structure in terms of syntax in the framework of the critics.
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