A Language Analysis of Yunus Emre’s “Kayusu Değül” Rymed Poem


Benefiting from the impressive facilities of the language poets and a common belief that a permanent. Great Turkish poet Yunus Emre’s poetry its meaning when viewed in terms of sound until the sound is as important as that of a poet. Lyrics and the harmony of these words, the efficacy, the power of open, straightforward and sincere manner with no doubt one of the elements describing the Yunus Emre, who was the original language and style. This article is a layer of sound, harmony, rhythm, scale and style points of interest such as the format through the Yunus Emre “kayusu degül” ryhmed poem tried to be analyzed, especially the difference between duplicates and false readings understood to be determined by the New Criticism. New Criticism, XX. emerged in England early in the century and a work of literary works by taking the central meaning of the “form” when the caller is one of the contemporary methods of interpretation. According to this method is based on viewing the poem, work of literature is self-sufficient, all the necessary data available in the text itself. Today, the classic text for understanding and interpreting the works of such contemporary theories of interpretation have emerged due to take advantage of the method in terms of. Bearing in mind that the original material, the language of the poem in question will be better understood the importance of the method.


Keywords


Yunus Emre, New Criticism, language and style, form and content, a layer of sound poetry

Author : Yasemin ÖZCAN GÖNÜLAL
Number of pages: 183-190
DOI: http://dx.doi.org/10.7827/TurkishStudies.2767
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Journal of Turkish Studies
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