Turkish Studies - International, Year 2009 Issue Volume 4 Issue 5

Turkish Studies - International, Year 2009 Issue Volume 4 Issue 5 https://turkishstudies.net/turkishstudies?mod=sayi_detay&sayi_id=247 Turkish Studies - International en 2026-07-16 Ankara Bilim Üniversitesi Maltepe Kampüsü Maltepe Mahallesi Şehit Gönenç Caddesi No: 5 Çankaya, Ankara, TÜRKİYE Web: <a href="https://ankarabilim.edu.tr">https://ankarabilim.edu.tr</a> Telefon: <a href="tel:4442228">444 22 28</a> E-mail: <a href="mailto:info@ankarabilim.edu.tr">info@ankarabilim.edu.tr</a> Öz Geçmiş ve Eserleri https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14106 https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14106 Lütfen Seçiniz, 2026-07-16 The Language Of Divan Poetry Is The Language Of The Empire https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14107 https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14107 İsmail Hakkı AKSOYAK The language of Divan literature has always been introduced as a synthesis of three languages: Arabic, Persian and Turkish. Indeed, Ottoman Turkish that is the combination of these three is the essential of Divan literature. However, Divan poets also used words from Greek, Armenian, Italian, and some languages of Balkans and Caucasus besides Arabic and Persian words. Especially poets who were Rumelian or worked as the state officers for years were finding different ways of usage in their works with the expressions they borrowed from the Balkan languages. In ten verses of a poem of Mustafa Âlî of Gallipoli who was a bureaucrat, an intellectual and at the same time a poet and who had served as a statesman for a long time in the Balkans in the 16th century, there are expressions of Arabic, Persian, Albanian, Franc, Serbian, Greek, Manav, Bosnian and Chagatai people in their own languages and dialects. Based on this example, it would not be wrong to say that Divan poetry is a part of “a literature of an empire” and that the language is “an imperial language”. In conclusion, the language of Divan literature is an entire entity that has basically Ottoman Turkish as a dominant factor but also comprises many elements from the languages of the nations all around the Ottoman Empire. 2026-07-16 A Sadak (Guıver) Which Is Releaset With Shadow Hunting: Localization https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14108 https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14108 Ziya AVŞAR İt is said that Turkish Literature in Ottoman period step forward to popular way. İt is defined that the localization means daily speaking language, proverbs, local topics. But it is defination that based on national state. İt is emphisized that it is wrong way Ottoman period in which multi-cultural and multi language is evaluate with the same logic.İt was explained that what is the background of this logic. 2026-07-16 Re-Thinking The Turkî-ı Basît Movement in Turkish Literature https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14109 https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14109 Hatice AYNUR The term Türkî-i Basît was coined initially by Fuad Köprülü, who explored the subject, in an article published in 1921, before going on to explain the movement's origins and development in a subsequent book that was published in 1928. There he gave examples from a collection of poems written by Nazmî of Edirne entitled Türkî-i Basît, and claimed that the literary movement Türkî-i Basît Cereyanı stemmed from Nazmî's poems and from those of Mahremî of Tatavla. Moreover, he believed that Mahremî and Nazmî opposed the increasing use of Arabic and Persian loanwords in Ottoman poetry in the 1500s, and that their reaction was to write in plain Turkish (but in ‘Arûz' meter). Following Köprülü's publications upon this time, Türkî-i Basît became the prime reference for scholarly research almost every scholar agree largely that Türkî-i Basît was the starting point of a linear process that was set to last for hundreds of years, a view that elevates it above a simple linguistic and literary movement that reflects the conditions of the time. Contrary to this view, however, Köprülü’s approach is weakened by his selective perception, in that he includes or excludes certain poets and their poems, and locates them within the linear linguistic-developmental process. This article explores this topic's historical background, then discusses Köprülü’s views and his influence on Ottoman literary historiography, before calling into question the very existence of the Türkî-i Basît movement. 2026-07-16 The Poet Minding The Local Instruments: Ahmed-i Dâi (The Proverbs And Idioms In His Divan) https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14110 https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14110 Mustafa Ziya BAĞRIAÇIK Discussion about the language and style of classic (Divan) poem has always been one of the major discussion in literature. While the poets of XIV and XV centuries have kept significant distance with the meaning by focusing on the local matters, their successors have profoundly focused on the poems that attempt to explore the meaning further. However, the latter poems have been criticized for gradual engagement in exhibition of their ingenuities. On the contrary to the establishing era, in Gibb’s expression, “the İranization was more prominent”at XVI, XVII, and XVIII centuries. Although there were some efforts against this resignation in terms of localization during the following centuries, these have not been successful so far. Because, the indigenous attitudes of poets in exspressing their poems in Turkish at early stage have nearly been replaced by the artificial efforts right after the localization. This indigenous style initiated by Yunus and Sultan Veled at earlier era has been followed by Asik Pasa, Gulsehrî, Ahmedî and Kadı Burhaneddin. Right at the beginning of the XV century, Ahmed-i Daî has taken over the mission and turned it over to Necati. This article deals with Ahmed-i Dai’s efforts. 2026-07-16 A Comparison Of The Turkî-ı Basît Poems Of Edirneli Nazmi In Terms Of Similes System Through A General View https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14111 https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14111 Bekir ÇINAR In this study, the Turki-i Basit poems of Edirneli Nazmi are compared in terms of similes system through a general view. To this end; issues such as human, beauty, beloved and beauty in beloved are examined in terms of general insights. Samples of poems given in this study are limited because of article limitations. It is examined by which images and symbols the human factor is studied in Nazmi’s poems and to what extent these comparison elements correspond to the general insight 2026-07-16 About Language Of Turkî-i Basît https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14112 https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14112 İmdat DEMİR Dîvân-ı Türkî-i Basît was written by Edirneli Nazmî in 16th century. The work was written by idea of Türk-i basit. In this study, language of the work will be studied in terms of grammatical structure and vocabulary. 2026-07-16 Term Of Localization In The Classical School Poetry And In Bâkî’s Divan Some Local Factors https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14113 https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14113 Mehtap ERDOĞAN Generaly it is used different expression like current, movement, trend, manner, style or form for localization which is defined that local geography, social life and true to life reflect to poem, simplification of language and trending use local form of poetry. It hasn’t gain certainty if it could qualify as a current. İn this work, we examine if localization could being defined as a current. But we come to a decision about such a sentimental matter which many researchers look uncertainly and we it to readers decision. İn the second part of work Baki’s Divan, one of the classicial school poetry’s achievements which localization shows itself in most beatiful and most outstanding is examined and given place to local factors which is made firm. Thus it is worked to be proved that classical school poetry is poems wasn’t far from society which they had lived and classical school poetry isn’t a literature which is based on dreams of elite on the contrary to pretensions. 2026-07-16 Localization And Nedim’s Songs https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14114 https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14114 Rasih ERKUL Localization, which has it’s long roots back to centuries, even further accelerates in 18th century since the local elementes, traditions and customs entered in the literature. Nedim, becomes one of the best representatives of this 18th centuty movement by using mostly local elementes. With the influence of “koşma”s and “türkü”s Nedim’s songs were known widespread. His songs “kaside”s are all about İstanbul. His inspiration of his songs like “gazel”s comes from living beauties human. Thus Nedim had a tremendous role in purification Turkish Language by his participation in “localization movement” in 18th century. So, Divan poetry is more itself and more local together with Nedim. 2026-07-16 Education And Morality Approach In The Pendnâme Of Edirneli Nazmî https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14115 https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14115 Ahmet Zeki GÜVEN The aim of our study is to examine and illustrate by determining education and morality respects of didactic work of art in the style of an advice letter named “Pend-nâme” written in 16 th century by Edirneli Nazmi, that is of great importance in terms of language, history and literature of Turkish. While he was writing his work,he expanded the concepts in the original work in a more detailed way and added many instruments from Turkish culture and tradition. After analysing them, certain conclusion were put forward: In the first chapter, by determining the religious and theosophistical respects, we gave information about them. In the second chapter, the moral points in the work of art were determined and the respetcs that a person of then should have or should not have were found out. In the third chapter, on the other hand, the tradations, beliefs and rumors which can not be encountend in such works were determined. In the conclusion part, a general evalution was made and the comment of it was made in terms of today’s education and moral respects. Nazmi proposes for every advice in the work to be read carefully and for them to transfer these advices into actions. The “human model” that he proposes should take respects of science, morality, reality, knowledge and mind. 2026-07-16 A Original Ottoman Proverb Sample Meâlî’s Proverb’s Kaside https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14116 https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14116 Metin HAKVERDİOĞLU Turkish Literature has made advice culture very important in essays and poems. One of the products is also Durub-ı Emsâl-i Osmânî (Ottoman’s Proverbs). The kaside of a poet; named Meâlî whose name isn’t mentiened in the sources is an interestry example for these literary products. This poem is a different kaside from the point of view of forming an example for young educaters. This poem takes place in Fâiz Efendi and Şâkir Bey meganere which we shorten it as FŞM, and it first meets the literature scholar. It is the first time it has met teh literative world. 2026-07-16 Localization And The Elements Of The Seventeenth-Century Social Life In Sâbit’s Divan https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14117 https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14117 Yunus KAPLAN Throughout the history, artists created their art using the elements of their society such as customs, traditions, commodities, words and lifestyles. Like other artists, our 2026-07-16 Contribution Of Nazmi Of Edirne And His Contemporaries- Works To Historical Dictionary Of Turkish Of Turkey https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14119 https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14119 Mehmet Fatih KÖKSAL Turkish language is one of rich languages of world according to its vocabulary. So that even our archaic words has richer vocabulary than lots of languages. Tanıklarıyla Tarama Sözlüğü is a dictionary has performed an important mission in the time that it had been prepared. Another important dictionary is Türkiye Türkçesinin Tarihsel Sözlüğü prepared to complite Tanıklarıyla Tarama Sözlüğü and also it is larger than first one. It’s certain that this dictionary supply the deficiency when it publishes. The point of this work is to supply to Türkçenin Tarihsel Sözlüğü with Turkish words that didn’t place in Tarama Sözlüğü from Türkî-i Basîr poems of Nazmî’s Divan, Mecmuatü’n-nezâir and Tevârih-i Antâkiye and the Works by other poets in same period. 2026-07-16 A New View To Turkî-i Basît https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14118 https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14118 Ahmet MERMER Türkî-i Basit (meaning Simple Turkish; later it becomes a designation for “Simplification of Turkish” movement) is a term that Edirneli Nazmî (Nazmî of Edirne), a 16th century poet, used in the titles of his poems in his Divan. This denomination is only seen in this poet’s Divan. Köprülü-zade Mehmed Fuad revealed this fact after he found Nazmî’s Divan in 1928. Fuat Köprülü claims that Türkî-i Basit is a movement, a tendency and a way of art. He regards Tatavlalı Mahremî (Mahremî of Tatavla) and Edirneli Nazmî as the first precursors of national literature movement. In this article after discussing the debates about acceptation or rejection of this issue, it is claimed that Türkî-i Basit is not a movement but a reflection of Mahallîleşme (Localization). This argument is proved in the light of recent researches. 2026-07-16 The Vocabulary Of Turkî-ı Basît https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14120 https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14120 Seyfullah TÜRKMEN Edirneli Nazmi (Nazmî from Edirne) is one of the 2026-07-16 The Thoughts Upon Simplification In Language And Turkî-ı Basît https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14121 https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14121 Erdoğan ULUDAĞ Turkî-i Basît is a poetry comprehension based upon non-subordinates formed with Turkish words, which was initiated by Tatavlalı Mahremî and Edirneli Nazmî in the 16th century, upon increasing the use of Arabic and particularly Persian words in Divan Literature. This thought was first put forward by Fuat Köprülü. Those who adopted this thought of Köprülü regarded Turkî-i Basît as the movement of Turkish Conservatizm, nationalist and reaction to usage of Arabic and Persian words. In the recent studies related to the subject, ıt is suggested that Turkî-i Basît is not a literary movement but a branch of localization with just a movement characteristic. In this study, the process related to Turkî-i Basît was handled from the start, the research carried out on this subject was examined, and it was concluded that the efforts of the representatives of Turkî-i Basît were i 2026-07-16 Naturalization And Seyhulislam Yahya https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14122 https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14122 Hakan YEKBAŞ Local factors which are important source of our classical literature in terms of contents were used more characteristicly by some classic poets. One of these poets, Şeyhülislam Yahya, although he has an identity of Muslim preacher, employed the delight and entertainment of life with elegant Turkish of Istanbul. Above all in his ghazals, he is highly successful in expressing the coloured stage chosen in daily life by using elegant Turkish, idioms proverbs, and folk sayings. Understanding of this art is effective in his being one of the most important represantative of naturalization at XVII. century. 2026-07-16 TÜRKİ-İ BASİT https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14123 https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14123 Hatice AYNUR 2026-07-16 TÜRKİ-İ BASİT https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14124 https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&makale_id=14124 Yavuz BAYRAM 2026-07-16