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    <title>Turkish Studies - International, Year 2009 Issue Volume 4 Issue 1-1 </title>
    <link>https://turkishstudies.net/turkishstudies?mod=sayi_detay&amp;sayi_id=242</link>
    <description>Turkish Studies - International</description>
    <language>en</language>
    <pubDate>2024-08-29</pubDate>
    <generator>
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    <item>
      <title>MUSTAFA ÖZBALCI</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13797</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13797</guid>
      <author> Lütfen Seçiniz,</author>
      <description/>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>EDITOR: Yrd. Doç. Dr. Fikret USLUCAN - Yrd. Doç. Dr. Selçuk ÇIKLA</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13798</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13798</guid>
      <author> Lütfen Seçiniz,</author>
      <description/>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>A Portrait Of The Artist As A Scientist: Ahmet Hamdi Tanpınar</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13799</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13799</guid>
      <author>Yunus BALCI</author>
      <description>Ahmet Hamdi Tanpınar is a most known writer about problems of the modern Turkish literature. He has literary works like poems, novels, stories and scientific works like history of literature, monographic work and articles on literature. But he always behaves as an artist when he writes scientifically. His works have some com¬mon sources. Especially Bergson and Bachelard are two important thinkers for Tanpınar’s works. But except them, Tanpınar’s scientific works have very rich sources. He benefits from philosophical, sociological, psychological works as a literature researcher. We can see this rich substructure in his history of literature work XIX. Asır Türk Edebiyatı Tarihi, monographic work on Yahya Ke¬mal Beyatlı and scientific articles.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>The Sources Of Modern Turkish Literature: War And Literature (1828-1911)</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13800</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13800</guid>
      <author>Haluk Harun DUMANSalih Koralp Güreşir</author>
      <description>Wars became the turning points in the history of civilization and took its place as the main sources of literature with their tragic contents. The existence of Turkish war literature has been discussed for a long time. It is clear that the Turkish history, which is rich in terms of wars, strengthened the relationship between war and literature. The tragedies behind fronts had been narrated to coming generations by literary works. In the introductory section of our study we focused on the concept of war literature. We also touched on pre-Islamic and Islamic periods of Turkish war literature since they formed the infrastructure of the literature. We gave short knowledge about wars which took place in the nineteenth century and analyzed their contribution to the war literature. In addition, at the end of each war, a separate section of bibliography is given. These works show that these wars provide an interesting theme for Turkish writers, authors and academicians. Finally, we thought that this study will be a main source for the future works on war literature.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>Poetics As A Reference In Modern Turkish Literature</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13801</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13801</guid>
      <author>Alim GÜRBedia KOÇAKOĞLU</author>
      <description>Poetika, originated from the world ‘poietike’ and meaning “make, produce, create” generally covers all branches of art but nowadays it mostly includes poetry. Poetics meaning the whole, systematics and science of the theories on the art of poetry, was firstly used as a term in Aristoteles’ work under the same name. The concept having developed rapidly from Aristoteles to our time has gradually improved as a worldwide discipline. Nowadays, poetics has also been a study field concerning with every subject related to poetry. Poetics, after the first epitome presented in the classical age, has showed an innovation with names such as Platon, Horatius, Longinus in the Western world, and particularly in the 20th century has been regarded as a research method. When compared to the Western world; it is possible to encounter with qualified poetic samples related to the poetry emerging as a form of song in the period before conversion to Islam. The poetic convention passing to the other countries and nations accepting Islam and in this respect to the Ottoman poetry, though not presented as a separate book, shows itself in the verses, dibaces, tezkires of poets’ canons. The term, which was firstly used by Necip Fazıl in Büyük Doğu journal, has generally been dealt with around the argument of ‘real-fancy’ from Reformation to our time. In this respect, various examples have been encountered in verse and prose. These have spread particularly in modern Turkish poetry and the studies on the theory of poetry have increasingly risen.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>The Method In Modern Turkish Literature Researches</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13802</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13802</guid>
      <author>Selçuk ÇIKLA</author>
      <description>Every science has its own method of study and research, which lets them reach correct, sufficient and consistent knowledge. In all scientific studies, one of the elements which is as much important as the ‘sources’ and the ‘theses’ that are put forward is these methods. As in other braches of science, the research methods of the science of literature are also of great importance in terms of having access to correct and sufficient information. Therefore, the aim of this study is to determine the research methods of science of literature, in general, and ‘Modern Turkish Literature’, in private, in a broad sense, and to establish the characteristics of a scientific, objective, comprehensive and qualified research.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>References Of Mehmet Kaplan</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13803</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13803</guid>
      <author>Şeyma BÜYÜKKAVAS KURAN</author>
      <description>This study was aimed to determine the references influenced Mehmet Kaplan who contributed very much and established a new path in the Turkish literature and intellectual life with his texts, studies, thoughts, and methods he used. Kaplan has been a productive, power¬ful and effective scientist with determination, patient and strong willed in spite of all difficulties and impossibilities. It is important to determine the references that influ¬enced him because his difficult challenge is an example for young scientists. Texts, letters and memories of Kap¬lan, interviews and texts about him written by his stu¬dents were studied and the influencing references were determined as 1) His livelihood and 2) His supervisors and his reads.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>Benefiting From Archives In New Turkish Literature Researches</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13804</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13804</guid>
      <author>İhsan SAFİ</author>
      <description>Archives are primary resources to refer for those who will do research on new Turkish literature field. Nevertheless, it can’t be said that they are utilized prop¬erly until recent times. Lack of seperation and limited access to archives have also influence on this issue. In this article, the archives related to research field of new Turkish literature is presented. State (Prime Ministry’s) Ottoman Archives are mentioned largedly. Divisions that contains information and documents on new Turkish lit¬erature are explained. In addition to this, some example researches that utilise the archives are also given.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>EDITOR: Doç. Dr. Yakup ÇELİK</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13805</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13805</guid>
      <author> Lütfen Seçiniz,</author>
      <description/>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>The Critical Panorama Of An Era In The Context Of The Relation Between History And Literature: The Fall Of Abdülhamit</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13806</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13806</guid>
      <author>Yakup ÇELİK</author>
      <description>In his novel, ‘Abdülhamit Düşerken’, Nahit Sırrı Örik, fictionalizes important developments in late Turkish History, which he witnessed during his childhood, within the scope of events at the center of which stood love. In this novel that we can denominate as the panorama of an era, the author approaches to the event, attitudes of manners and behaviors with a critical style. It is empha¬sized within the possibilities of the fiction that İttihat and Terakki still doesn’t have the staff that will rule the country; the loneliness of Abdülhamit and that govern¬ment staff are in a war of power and status. Nahit Sırrı Örik tries to unify the panorama of an era and the love affair between Nimet and Şefik as within the frame of this love affair are the people who govern the country.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>Psychology Sources Of New Turkish Literature</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13807</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13807</guid>
      <author>İsmet EMRE</author>
      <description>This article investigates the psychology sources of the New Turkish Literature that emerged with the westernization period. New Turkish Literature is the name given to the period in which some serious changes took place in the literary genres and general concept of literature following the declaration of Ottoman Reforms “Tanzimat Fermanı”. This period saw both the influence of western literature that transformed the characteristics of literary genres and some new genres that came into existence. Turkish literature borrowed from the west such types as the novel, short story, drama, diary, anecdote and essay writing. Psychology had both direct and indirect influences on the New Turkish Literature. With the start of the 20th century, the prevalence of Western literary genres and their close affliations with psychology as well as penetration of the science of psychology itself into a vast area human life made it impossible for literature not to be affected by psychology. It appears that the New Turkish Literature was influenced by psychology in terms of the nature of the writer, creation period; the nature, function and domain of the literary work, and the methods of the science of literature.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>Sociological Scales In Literature-Sociology Relations</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13808</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13808</guid>
      <author>Ertuğrul AYDIN</author>
      <description>When we look at interdisciplinary relations, we see that there are close, far, or indirect relations between sci¬ences. There is a close dialog between literature and soci¬ology from the viewpoints of methodology, interaction and scales along with the concrete signs; such as contribu¬tion of literature to the sociological researches, sociology science sourcing the literature. The attitude of literature in the civilization history and its relationships with other science branches has widened the clarification range of it. As a matter of fact the works that exists in the framework of literature re¬veals the feelings and thoughts of the society on their be¬liefs and social relationships. Other than that; religion, mythological values, behavioral forms, and all kind of natural events takes part by their reflections in the lit¬erature.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>EDITOR: Prof. Dr. Bilge ERCİLASUN</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13809</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13809</guid>
      <author> Lütfen Seçiniz,</author>
      <description/>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>The Terms Belongs To The West In The Second ConstItutIonal Era</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13810</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13810</guid>
      <author>Bilge ERCİLASUN</author>
      <description>During the Second Constitutionalism a great literature atmosphere was born. In these years the structure of the society has been changed and the pioneer of this change was Ziya Gökalp. Gökalp and other intellectuals of the period has started to discuss on the new terms and concepts. They began to find equivalent terms and concepts of the words they tranferred from West. In this artical some of the terms and words transferred from French are studied. These are</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>Impact Of Brecht On Turkish Theatre</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13811</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13811</guid>
      <author>Abide DOĞAN</author>
      <description>Epical theatre concept was first proposed by Ber-tolt Brecht who was a German theatre writer as well as a theorist. It was developed as a result of begin influenced by Erwin Piscator’s theatre understanding affected by the political, social and economic strains after the First World War. In Turkish theatre, the first epical plays were writ¬ten in 1960’s by Haldun Taner. He was followed by Vasıf Öngören, Sermet Çağan, Oktay Arayıcı, İsmet Küntay and Turhan Selçuk. In this article Bertolt Brecht and epical theatre is explained and its influences to Turkish theatre are clari¬fied. The epical theater plays written by Haldun Taner, Vasıf Öngören and Sermet Çağan are introduced.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>A Geographic Approach To The Text</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13812</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13812</guid>
      <author>Emel KEFELİ</author>
      <description>A literary text is one way of communications among humanbeings . An active or creative reader gives meaning to the text by reading it from different points of view. A ‘géo-littéraire’ approaches to the text considering the ‘place’ as ‘geography.’ And it is a method which analizes the process of a text by placing the essential points such as the autor’s life map and the literary geography in front.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>Analysis Of The Cemal Süreya Poems In The Light Of Intertextuality</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13813</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13813</guid>
      <author>G. Gonca GÖKALP ALPASLAN</author>
      <description>Cemal Süreya is one of the most significant and unique poets of modern Turkish poetry. In this article, the richness of his poetry is analyzed in the light of the intertexuality theory. His poetry is enriched with various sources, like folk literature, classical Turkish poetry (Di¬van poetry), Western literature, modern Turkish poetry and music. He transforms everything to his own poetry without repeating and imitating. Thus his poetry turns everything unique like a kaleidoscope.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>Abouth Dante In Turkish</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13814</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13814</guid>
      <author>Oğuz KARAKARTAL</author>
      <description>One of the answers to the question: with whom we stretch our intellectual horizons towards the west is Dante. Since the 1980's we have come across, first, with his name and his life in articles and in printed materials about Turkish Literature. After the 1990's, however, little pieces of translated passages from Dante can be seen on the printed papers. During the Republican Period many books were published and Dante began to be a source and an influence on the Turkish writers. In Turkish authors' works, mostly in the writings of Halide Edip Adı¬var, Yakup Kadri Karaosmanoğlu, Nihal Adsız, Orhan Pamuk, Elif Şafak and Tahsin Yücel, the traces and influence of Dante's Divine Comedy and its motifs are discerned</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>Being A Woman In The Books: Chaucer And The Problem With The Discourse Of Women In Medieval English Literature</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13815</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13815</guid>
      <author>Huriye REİS</author>
      <description>The relationship between women and literature in medieval English literature is a relationship that stresses the powerlessness of women in literature. Women find themselves represented in the books because of the wrongs they have committed and literature is often a means of creating negative images of women. Chaucer is concerned with the place of women in books and he examines in this context the role of literature and books as discursive practices. Thus particularly in the Wife of Bath’s Prologue and in the Prologue to the Legend of Good Women Chaucer questions the truths literature develops about women. This paper argues that Chaucer’s questionings reveal that the patriarchal discourse of women developed by medieval English literature cannot be trusted because as a discourse it is produced by the power/knowledge that women lack. Chaucer’s treatment of the mechanics of literary representation shows that the knowledge about women is produced by a literature that serves the interests of the dominant and it produces knowledge about women who lack the power to construct or re-construct the truth promoted by literature. It is this problematic that underlies the objections of the Wife of Bath and the God of Love to the truth presented by literature about women.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>A MasterpIece Announces The Birth Of Poetic Prose: Gaspard De La NuIt</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13816</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13816</guid>
      <author>Abidin EMRE</author>
      <description>In this paper, it’s talked about appearing of poem resembling prose in France and it’s talked about popular factors of this appearing like interpretations about fairy tales, legends and ballads. Aloysius Bertrand, who began writing in half of nineteenth century, was influenced ballads. Gaspard de la Nuit, Aloysius Bertrand’s book is first and maybe most competence model of poem like prose. In this paper, it’s focused “couplet” which has hard rules, consists of seven “couplet” and is studied a lot and it’s dealed with first forms of this genre in Turkish Literature.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>Reference To Dialectics In Classical Turkish Poem: As Reflection Of Metaphoric The Unity Of Opposıtes In Sebk-i Hindî</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13817</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13817</guid>
      <author>Özge ÖZTEKİN</author>
      <description>Divan şiiri, Sebk-i Hindî, diyalektik, karşıtların birliği, paradoksal imajlar, metafor.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>Comparative Analysis Of Ulysses And Tutunamayanlar</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13818</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13818</guid>
      <author>Mümtaz SARIÇİÇEK</author>
      <description>‘Modernist novel’ has been flourished with a new aesthetical manner opposite to ‘traditional novel’ since ends of the 19. century and prepared ‘postmodernist novel’. Term of the ‘modernist’ also contains political meaning, therefore, it is supposed that modernist novelists adopt the political modernizm. Whereas modernist novel was flourished by the antimodernist political writers. That’s way, it is prefered one the terms ‘avant-gardist’, ‘pre’, ‘pioner’, ‘early’ ‘postmodernist novel’ then ‘modernist novel’. Ulysses, written by James Joyce, is one of the most important of these novels. In Ulysses, James Joyce adopts a new formal and thematically aesthetic and inspires from Homeros’ Odysseia. Thus, he revolutionized on the novel technique. Turkish novelist Oğuz Atay’s Tutunamayanlar inspires Ulysses, and the same as Ulysses’ effect on world’s novel, it converted radically Turkish novel. This novel constitutes intertextualite with Ulysses and Pale Fire written by Vladimir Nabokov. This article is a study of comparative literature and, Tutunamayanlar is compared with Ulysses in this article. In addition, it is referred to relations Tutunamayanlar with Solgun Ateş and Zafernâme.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>Evidences Of French Literature In The Novels Of Reşat Nuri Güntekin</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13819</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13819</guid>
      <author>Mitat DURMUŞBahattin ŞEKER</author>
      <description>The similarities between Zola’s Vérité (Gerçek) and Reşat Nuri Güntekin’s Yeşil Gece, which depict the conflicts between religious and secular schools, have been noted by many critics. However, while most critics failed to see the similarity of social problems existing in the periods in which the authors lived as the source of the similarities between the two novels, some critics even point to Gerçek as the source of inspiration for Yeşil Gece. Abuse of religion and religious orthodoxy display universal patterns. Even though Yeşil Gece resembles Gerçek in terms of subject matter and characters, these resemblances are of universal quality. The source of these universal resemblances is common sensibility. Therefore, when Güntekin’s statements about his novel and historical facts are considered, it is seen that the similarities stem from common sensibility.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>The Harem Through The Eyes Of The Europans: Reality And Fantasy</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13820</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13820</guid>
      <author>Alev BAYSAL</author>
      <description>“Haremi Hümayun”, as generally known Harem, was the Sultan’s private quarters. In fact, as a word derived from Arabic, it meant a secluded or forbidden place, usually a home or a private property. It was called as “Golden Cage” in which most beautiful odalisques were in competition to capture the heart of ‘Sultan’ and where the most dangerous tricks were played to obtain power. The Harem, in the Ottoman Empire, was first founded in the reign of Orhan Gazi (1326-1360) and, during the reign of Mehmet the Conqueror (1451-1481), it turned into a kind of social institution that would influence the state affairs in the future (Pierce 42). From the late sixteenth century onward, especially in the seventeenth and eighteenth centuries, the Harem became a center of attraction for western travelers, artists and writers. However, it was impossible for the Europeans to observe it closely. That’s why they fictionalized the Harem both in their paintings and writings. Lady Mary Wortley Montague who resided in Istanbul in the early eighteenth century as a wife of an English Ambassador tried to depict the reality from a different and female perspective. She presented her point of view in her Letters. In this paper, these highly fictionalized representations of the Harem will be discussed with reference to the English writings, and the reasons why the life in the Harem appealed to the Western imagination will be analyzed by drawing upon the fictional accounts.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>The Novels Ulysses And Tutunamayanlar In Point Of Stream Of Consciousness Technique</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13821</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13821</guid>
      <author>Serdar ODACI</author>
      <description>By the modernism in novel, to introduce the inner world of characters, stream of consciousness is used as a new narration technique. James Joyce has used identical examples of stream of consciousness technique in Ulysses. The novel Tutunamayanlar written by Oğuz Atay has an important position for Turkish novel. This novel belonged to the writer who had followed the way modernism in Turkish literature. In this study these two novels are examined in point of stream of consciousness technique.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>Landscapes From Ahmet Haşim And Hüseyin Avni Lifij</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13822</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13822</guid>
      <author>Ayşe Pelin ŞAHİN TEKİNALP</author>
      <description>Ahmet Haşim (1883/ 1884 -1933) was born in Baghdad. He produced impressionist poems in the second period of his poetry, particularly under the influence of symbolist poet Régnier. He had recollections, illustrating the melancholy of his mother and painting the entire world of imagination into the color of melancholy. He tackled to grab the redness of the afternoons which was a kind of transfiguration of melancholy, and to picture these colors especially. Many researchers underline the point that he worked just like an impressionist painter in capturing the moment observed. Avni Lifij (1886- 1927), draws the attention with his interest not only in painting but also in literature. Lifij, who caught the attention of Osman Hamdi Bey, attended the classes at Sanayi-i Nefise for about a year. His Istanbul landscapes, more than his large-scale works are remarkable. In his landscape paintings, which constitute a great proportion of his works, not only did he paint the landscape, but also he added his imagination and the emotions he felt in front of the scenery. According to many researchers, his most important paintings are those of Istanbul landscapes in which one can trace the poetry-painting connection, states that he even stands close to the poet Ahmet Haşim.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>Turkish Literature In Europe And America</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13823</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13823</guid>
      <author>Hayrunisa TOPÇU</author>
      <description>Turkish poets and authors living in European countries and in America is a very extensive and</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>A View Of Yesterday’s And Today’s “Ferdâ” In The Context Of Intertextuality</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13824</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13824</guid>
      <author>Gülşah AKBULUT</author>
      <description>Attilâ İlhan is one of the most important leader of Modern Turkish Poetry. He showed his proficiency of combining the modern and the traditional not only in his poems but also in his novels. Attilâ İlhan is affected either reformist poets like Namık Kemal, Nazım Hikmet or Classical Turkish Poetry (Divan Poetry). Tevfik Fikret is one of the poets whom Attilâ İlhan affected too much. Tevfik Fikret's ‘Ferdâ’ has a privileged place in Attilâ İlhan’s poetry. This work contains anwers about how ‘Atillâ İlhan's Ferdâ’ is affected by Tevfik Fikret's ‘Ferdâ’ in the context of intertextuality.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>EDITOR: Doç. Dr. Osman GÜNDÜZ</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13825</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13825</guid>
      <author> Lütfen Seçiniz,</author>
      <description/>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>Transition From Traditional Narrative Forms To Modern Novel</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13826</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13826</guid>
      <author>Osman GÜNDÜZ</author>
      <description>Novel and story, which we have become familiar with, came from the western world starting from the second half of the nineteenth century as a form. Up till that time, Turkish society met its need of fiction with folk story, mesnevi, fable, legend, etc., which were somewhat traditional types. Yet, the change was not easy. Turkish novel, which underwent a period of slow development by the Republican period, was affected considerably by traditional narrative forms in style, technique of storytelling and plot. In this study focusing on the transition from traditional narrative forms to modern novel seks to follow the traces of this effect in the worlds of novels in the period with a focus on the development process of novel.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>The Emergence Of Turkish Story In Western Style And New Themes From Tanzimat To Republic</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13827</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13827</guid>
      <author>Okan KOÇYılmaz DAŞÇIOĞLU</author>
      <description>Story as a genre that Turkish men of letters began to familiarize themselves since the 19th century presents a critical landscape to analyse the new themes of social and cultural change. The period from the mid-nineteenth century to the mid-twentieth century is like a labarotary to observe the development of the genre of story and as the</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>Autobiography And Novel / Autobiographical Novel</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13828</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13828</guid>
      <author>Mehmet NARLI</author>
      <description>Some views (or propositions) on autobiography and novel relation are set forth. Each proposition is tried to prove in its context in this article. The aim is to show that the opinions that there exist opposite views in the relations between autobiography and novel and these views are appropriated as they are, are disputatious. The relation between writer and writing is connection that is created by changing every other. So, it is not possible to classify which one is autobiographical, one not.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>Travel Books In Turkish Literature</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13829</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13829</guid>
      <author>Baki ASİLTÜRK</author>
      <description>Baki Asilturk, analyses the subject of travel books in Turkish literature in this article. This article mainly based on travel boks written from fifteenth century till 2000s. Turkish intellectual traveled to Europa, Asia, America, Africa, Anatolia etc. within nearly 500 years time span. Herewith their observations are discussed by the author. In this article, Asilturk gives bibliographical data about travel boks along with their contents.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>Humour And Irony In The Poems Of Garip And İkinci Yeni (The Second New Movement)</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13830</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13830</guid>
      <author>Özlem FEDAİ</author>
      <description>This study is going to point out that, with an aes¬thetic structure based on objective truth, simplicity and unsophisticatedness in the history of Turkish poetry, Garip’s poetry (First New Movement), which since the end of the 1930’s aimed to reflect the societies middle class and lower class layers, has in matters of the aesthetic structure, the phraseology and the way of addressing the public, it’s source in the element of “humour”. Furthermore this study is going to deal with the subject of acquirement of the element “irony” instead of “humour” through the “Second New Movement”, which was seen as the new poetical movement and the analysis of the utilisation of the elements “irony” and “humour” within the poetical languages used by both movements.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>Prof. Dr. Alev SINAR UĞURLU - Yrd. Doç. Dr. Tacettin ŞİMŞEK</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13831</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13831</guid>
      <author> Lütfen Seçiniz,</author>
      <description/>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>Folk Tales From The Pen Of Ziya Gökalp: An Ideologue And Poet</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13832</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13832</guid>
      <author>Alev SINAR UĞURLU</author>
      <description>When he was a small child, Ziya Gökalp was interested in folk tales and stories, and later as a researcher, he realized that this tradition was an important and rich resource. While inculcating the idea of Turkism, he particularly uses this resource. During the years Gökalp wrote the tales in verse or prose (1911- 1922), the Turkish nation was showing resistance against being eliminated from the page of history and struggling to survive. However, it was impossible to surmount this struggle with the old life style and to continue to live by preserving the old customs. It was necessary to adopt a new life style. And the principles of this new life were included in Turkism, the most popular ideology of the period. This ideology aimed at the syntesis of hars (national culture) and civilization. Benefited especially from the folk tales while telling about the new life, Ziya Gökalp both gave the folk tales forgotten by the Turkish literature experiencing the periods of Tanzimat, Servet-i Fünûn and Fecr-i Âti their reputation back and indicated the way toward the synthesis of hars (national culture) and civilization by inculcating new ideas through folk tales, a class of literature, as well. In this study, we will show how the ideologue-poet used the folk tale, a class of folk literature.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>The Child And Childhood In Behcet Necatigil's Works</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13833</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13833</guid>
      <author>Rahim TARIM</author>
      <description>The child and childhood have an important place in the poems of Behcet Necatigil, who sees the human being as a whole. Although he has only one poem which can be considered as directly written for children, the poet, who holds to the idea that one’s most important perceptions have their roots in childhood, has a strong sensitivity towards the child and children.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>Childhood Memories And Conditions Affectıng Their Childhood Periods Of The Writers In Republic Period (Cumhuriyet Devri) As A Source Of Liıterature And Children’s Literature</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13837</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13837</guid>
      <author>Cem Şems TÜMER</author>
      <description>The context that influences one’s childhood, the most important period of human life, is especially important for writers about the effects on both their personality and their writings. In this study, childhood memories of fifty eight authors are investigated based on the book titled “Çocukluk Yılları”, published by TDK, by Mehmet Seyda, as the year of 1979 was declared “World Children’s Year”. The conditions affecting their childhood periods and the effects of those conditions on themselves and their writing ability are determined.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>Child, Tales And Tongue-Twisters In The Poetry Of Asaf Hâlet Çelebi</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13834</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13834</guid>
      <author>Nurullah ULUTAŞ</author>
      <description>Asaf Hâlet Çelebi, one of the prominent poets of the Republic period, tries to deal with the subjects he chooses in his poetry in a childish approach and in an atmosphere of a tale. Asaf Hâlet Çelebi, who is noted for child affection in universal terms retains this aspect of a child whether in his poems or in his whole life. Reinterpreding the tongue-twisters and the tales he listened to in his childhood, the poet uses them in his poems. These tales and tongue-twisters are the elements that provide the major source of his poetry in terms of both content and harmony. Çelebi’s turning to tales in his poetry is directed at concretising sometimes his philosophical ideas together with social criticism and sometimes his desire for search for the happiness, escaping from the reality itself. Tales that are primary factor of inspiration for his poetry consist of not only Turkish tales, but Indian, Iranian and French ones as well.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>A Look On Works Of Orhan Veli Kanık Regarding The Use Of Child Literature Types</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13835</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13835</guid>
      <author>Kelime ERDAL</author>
      <description>Orhan Veli Kanık, who was a representative of “Garip Trend” has influenced many poets both in the past and at present. It is inevitable that poets are influenced by poetry traditions and use these traditions in their poems. Orhan Veli used the types of child literature in his poems, mainly tongue twisters. In some of the poet’s works it is observed that there are the world of tales, the extraordinary events or characters. Orhan Veli made translations of fables which is favoured by children. The poet reflected his style on these translations. As in his poems he also managed to be appropriate to the level of children by means of his simple language.</description>
      <pubDate>2024-08-29</pubDate>
    </item>
    <item>
      <title>The Instances Of Children Literature Genres In Cahit Sitki Taranci’s Poetry</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13836</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13836</guid>
      <author>Erol OGUR</author>
      <description>Cahit Sıtkı Tarancı, one of the most significant poets of the republican period, has not written his poems merely for children. However, the poet successfully reflects the emotionality and the sentimentality of children in his poems. Cahit Sıtkı Tarancı has also produced poems by making use of the fundamental genres of the child literature such as tales and nursery rhymes. The simplicity of the tone and the style of the poems is very significant. In some of Cahit Sıtkı Tarancı’s poems, there are cases of childhood memories or images and phrases that arise from the child soul and emotionality of the author himself. Cahit Sıtkı Tarancı’s. In this study the poems of Cahit Sıtkı Tarancı which are suitable for children were first determined and later these poems were classified into groups with regards to their connection and similarity to tales and nursery rhymes genres. The poems of Cahit Sıtkı Tarancı that were defined to be beneficial for children in this study have a great importance for providing new sources to the child literature.</description>
      <pubDate>2024-08-29</pubDate>
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