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    <title>Turkish Studies - International, Year 2007 Issue Volume 2 Issue 3 </title>
    <link>https://turkishstudies.net/turkishstudies?mod=sayi_detay&amp;sayi_id=233</link>
    <description>Turkish Studies - International</description>
    <language>en</language>
    <pubDate>2026-07-16</pubDate>
    <generator>
&lt;p style="text-align: justify; margin: 6.0pt 0cm .0001pt 0cm;"&gt;Ankara Bilim &amp;Uuml;niversitesi&lt;/p&gt;
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    <item>
      <title>Tunca KORTANTAMER-1</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13376</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13376</guid>
      <author> Lütfen Seçiniz,</author>
      <description/>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>An Evaluation About The Phones Of Turkey Turkish In Terms Of Duration</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13377</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13377</guid>
      <author>Ahmet AKÇATAŞ</author>
      <description>The time of speaking must be analysed for the phone which is the smallest unit. For this reason, We have evaulated the studieswhich analyses the phone in terms of time in our study. Duration is determined in order to indicate the time of phone. Duration is the one of characteristics of phonic. Duration depends on the phonic which is spoken. The knowledge of duration changes from phone to the other phone. Syllable, word, group, element and sentence levels compose the time character of phone. The number of syllable of word, which contain phone, the place or location of phone in word, the speed of speaking, psychological condition of the person who speak, determine duration. The phone in Turkish are classified 3 parts as long, normal and short in terms of their duration.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>Râsihbey’s Üstine Rhymed Ghazel And The Use Of Repeats</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13378</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13378</guid>
      <author>Hüseyin AKKAYA</author>
      <description>There are some authors who still live in literature by writing just one book. In Classical Turkish Literature, Râsih Bey from Balıkesir living between 1144-1731-31, takes attention with his just one poem. His “üstine” rhymed ghazel effected both his term’s poets and poets who lived after Râsih Bey’s death. A lot of poem were written modeled his this poem in respect to both content form.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>The Method To Kefeli Hüseyin’s Raz-Name Named Book Sumary</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13379</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13379</guid>
      <author>İsmail Hakkı AKSOYAK</author>
      <description>Kefeli Hüseyin names his book Sevânihü’t-tefe'ül which is a collection of fortune-telling stories. He writes his book in Kefe and dedicates it to II. Gazi Giray. The author goes on collecting fortune-telling stories after Sevânihü’t-tefe'ül. He constitutes his book, Razname, by omutting some of the stories and adding some new one. Sevânihü’t-tefe'ül has two copies, one is in Süleymaniye Library and the other is in İzmir National Library. It is claimed that the one in Süleymaniye Library is author’s original manuscript. In this paper it is explained how to get a healty critical text of Razname.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>Raşit Mehmet Efendi From Kayseri And His Divançe</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13380</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13380</guid>
      <author>Mustafa ASLAN</author>
      <description>Including</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>The Method Of First 18 Couplets Of Mesnevî In Rûhu’l- Mesnevî</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13381</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13381</guid>
      <author>Ziya AVŞAR</author>
      <description>Sufism consists of a great knowledge and comment categories. Sufism, that effects our literature and art, makes progress with some main names and books. Mevlânâ and his Mesnevî is an example for this. In Anatolian Area Turkish Literature a lot of writers wrote about 30 commentary books to Mesnevî from 16th century to 20th century. When we read Mesnevî from Bursevî’s commentary a new perspective, we found ourselves in an amazing world. The first thing we relaized is that, it is very difficult to compensate for our lost. Commentator talks in a big cultural and knowledge accumulation of the Mesnevî text.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>Comparation Of Kazak Turkish And Turkey Turkish On Element Of Sentences</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13382</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13382</guid>
      <author>Ekrem AYAN</author>
      <description>The Turkic language, which developed throughout many ages,</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>Ahmedi From Tebriz And Hıs Mesnevi Named Esrar-Name</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13383</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13383</guid>
      <author>Gönül AYAN</author>
      <description>Ahmedi from Tebriz was one of poets in Akkoyunlular period. In this article it will investigate on Ahmedi and his mesnevi named Esrar-name.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>His Poetica And Shape Of Poems From İsmail Hakkı Bursevi’s Works</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13384</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13384</guid>
      <author>Yaşar AYDEMİR</author>
      <description>In this article, we studied on İsmail Hakkı Bursavi's thoughts about poem and poet by his works who is a mystic and an intellectual poet. We especially studied on his voluminous Divan but we examined his other Works which is a characteristic poem explanation (şerh) in detail: Kitâbu’l-Envâr, Kitâbü’n-Netîce, Tuhfe-i Atâiyye, Tuhfe-i Ömeriyye, Ferâhu'r-Rûh and Silsilenâme. We paid attention to quotations from Ahidname and Ruhu'l-beyân in the study of his Divan. We tried to explain his opinion about poem and poet in order by his Works.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>The Function Of Mecmuas In Text Presenting And The Problems Of It</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13385</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13385</guid>
      <author>Yaşar AYDEMİR</author>
      <description>The mecmua introduced in this paper we is poet books wich mate with todays’ anthologies. Mecmuas help us in pointing out readers’ prefence, including historical documetns, contribution to style studies, showing of poet’s litrary characteristics. This paper emphasizes the importance of mecmuas in presenting texts. It also aims at explaining it with examples and talks about arguments and some problems.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>A Small Model For Satire In Turkish Folk Culture</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13386</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13386</guid>
      <author>Adem BALKAYA</author>
      <description>One of the features of Turk People is that every person is a humorist poet. Being humorist is a natural feature of our people. If they see a negative state immediately criticize like a poet. To say parade for this, in my opinion, is wrong. Because this is a warning and aim of this is put in order. In this study, for this feature, we will touch on the parade in Turk folk literature than we’ll examine a parade poet for an example had been written by villager.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>The Commentaries In Tokatlı Ebûbekir Kânî’s Prose Letâifnâme And Hezliyyât</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13387</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13387</guid>
      <author>H. Dilek BATİSLAM</author>
      <description>One of the 18th century Classical Turkish Literature poets and authors Tokatlı Ebûbekir Kânî’s book, named “Letâifnâme ve Hezeliyyât”, consists of two different parts: verse and prose. These book’s prose part has different characteristics from classical characteristics of letâifnâme and hezeliyyât. In this book there are some examples of texts written in different forms. But all texts have satirizing and humor. Kânî’s prose “Letâifnâme ve Hezeliyyât” book has five commentary text and a poem rhymed “şerh eyle”. We try to introduce his book by the view of content, form, language, and expression.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>The Place Of Training Of Turkish Parent Language In Europian Countries Politica On Minorities “Models Of Sweden, France And Nedherlands”</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13388</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13388</guid>
      <author>Kadir CANATAN</author>
      <description>In this article the position of mother-tongue training has been in three different European countries examined within the framework of minority policy. At the beginning of 1980’s these countries developed minority policies and redefined the place of minority languages in their educational system. The idea that migrants are a permanent phenomenon lay at basis of that reorientation. It appears that there are significant differences in the place of mother-tongue training; depend on the type of policies applied in those three countries (Sweden, France and the Netherlands).</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>The Professor Of Texts Explanation (Sherh-i Mutun) Ömer Ferit Kam And His Asar-i Edebiye Tetkikati (Analysis Of Literary Texts)</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13389</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13389</guid>
      <author>Halil ÇELTİK</author>
      <description>The Professor of texts explanation (Sherh-i Mutun) Ömer Ferit Kam had taught Asar-i Edebiye Tetkikati (Analysis of Literary Texts) classes in the faculty of Literature in Istanbul University between 1915 and 1916. He published his notes about these classes, named Asar-i Edebiye Tetkikati Classes and he used old letters in this study. Ömer Ferit Kam organized his study as two parts. In the first part, he studied literature, verse, text and emphasized how these were taken place in Turkish and European Literature. Here information about mystical literature, Arabic and Persian Literature is given. In the second part of his work, Ferit Kam studied on legend, beliefs, concepts, words and the worlds of imagination from Old Turkish Literature. Also some examples are given in his study. For the first time, including their example, Kam studied and searched them systematically and explained some of the couplet. This study constitutes a model and a valuable source for text explanation, systematical old Turkish literature and these kinds of studies.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>Problems Of Verse Form In Presentıng Crıtıcal Text Of Divans</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13390</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13390</guid>
      <author>Halil ÇELTİK</author>
      <description>The method of critical text, in fact, is not only the problem of literature but also related to the other fields. This paper will deal with the arising of this method, the historical development, the practicing areas and detailes. Our study is going to be restricted with the verse area of presenting critical text, especially knowledge of verse form, we are going to point out problems of this area, give some examples and suggestions.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>I.A.Khudyakov And In Long Years Remaining Its Work "The Brief Description Of The Verkhoyansk District"</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13391</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13391</guid>
      <author>Muvaffak DURANLI</author>
      <description>In this article İvan Aleksandroviç Hudyakov and his works will mentioned. He studied on Saha Turks culture. But these works lost in archives. And the last when he formed his work “Kratkoe opisanie Verhoyanskogo okruga” he was realized. The first person realized him is E. K. Pekarskiy’dir.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>The Commentary Method Of Surûrî And Hurûfism Reflections In The Şerh-i Şebistân-ı Hayâl</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13392</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13392</guid>
      <author>Bilal ELBİR</author>
      <description>From the point of view of commentary literature the 16’th century was a rich century. Şerh-i Şebistan- Hayal, a piece of literature has to be analyzed in order to understand the Sururi commentary method. Metaphorising the numbers and the meaning has been used for a long time. Using letters and numbers and human being first styles of writing. You can take the use of letters and numbers back to the time when people in Ancient societies used symbolic expressions to themselves. İn Turkısh culture and literature we can come acnoss some Hurufi expressions with others who aren't Hurufı's themselves. We should be particulary careful in evaluating the articles and authors. Now that thare's no record in the resources that Susuri has adopted Hurufizm as a belief. We can easily say that Sururi was pretly much interested in these explanations our esseay the reflection of Hurufism will be put forward after the commentary method of explanatör is made clear.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>Fıkret In Memorıes</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13393</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13393</guid>
      <author>Ertan ENGİN</author>
      <description>Tevfik Fikret is an important figure to New Turkish Literature. To understand his works and his personality we need secondary sources, just like memoires.Some literary memoires gives us interesting details about Fikret and literary history.İn this paper, we tried to display those details.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>Halid Said Hocayev’s Work Named ‘Yeni Elifba Yollarında Eski Duygu ve Hatıralarım’</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13394</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13394</guid>
      <author>Fatih ERBAY</author>
      <description>Turks have used a lot of alphabet until today beginning from the day which they commenced to take part in history. In this long journey, this is known to be a very important transition period for Latin letters. In this study, it has been attempted to analyse named book ‘Yeni Elifba Yollarında Eski Duygu ve Hatıralarım’ which present us from vision of Halid Said Hocayev who was Turk intellectual, meets of Turk intellectual in first and later of I. Turcology Congress which was collected in 1926.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>A Structural View On Dehhani’s Gazel With “Eyledi” Redif For Ontological Searc</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13395</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13395</guid>
      <author>Mehmet Dursun ERDEM</author>
      <description>The analysis methods plays an important role in finding out the art value of literature texts. Within this context, applying different analysis methods to literature texts indicate the literary value of texts. In this study firstly, an information is provided on ontological aesthetic which evaluates the existence as ontic and ontological analysis method that examines a text on the basis of existence’s layers. Finally, ontological analysis method has been applied to one of Dehhani’s poems and its layers such (a.s.) utterance, meaning, object and fate. In conclusion, if various analysis methods are applied to the literature texts, it is seen that in general the art value and the level of the poems can be evaluated and in private this poem has aesthetic value from the aspect of form and content.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>Hazar Studies</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13396</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13396</guid>
      <author>Saadettin GÖMEÇ</author>
      <description/>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>Spring As ‘The Time Of Madness’ In Classical Ottoman Poetry</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13397</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13397</guid>
      <author>Zehra GÖRE</author>
      <description>Nature has a considerably important place in Classical Ottoman Poetry. However, spring is the most admirable season. Poems treating spring not only depict the exuberance, and vividness which spring gets, but also mirror to a great many areas from custom and usage to military construction. On the other hand, these poems are striking examples reflecting also the effects of nature upon human psychology. When the effects of seasons on human psychology are thought, spring is discussed as the season when madness increases. In this study, with starting from couplets written in different centuries, it will be stressed on that spring is the season of madness.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>Şerh Of Tuhfe-i Şâhidî : Pîrî Paşa-Zâde Mehmed B. Abdü’l-Bâkî El-Cemâlî’s Tuhfe-i Mîr</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13398</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13398</guid>
      <author>Zehra GÜMÜŞ</author>
      <description>Verse dictionaries wich are even never talked about in any sources are paid in succifient attetion. And they are the mateirals of not only Classical Turkish Literature but also of Turkish Lexicology in respect of the words they include. Verse dictionaries are small in volume, very useful and easy to memorize. These dictionaries’ main aim is to have new children in Sıbyan school memorize new words, to teach literary arts and also to teach prosody and taktî. The number of verse dictionaries that are written in Anatolian area is more than fifty. However, only four of them were published. Tuhfe-i Şâhidî has many copies in the libraries in Turkey and foreign. And it is a dictionary which was printed five times between the years of 1848-1867. The aim of wiriting this work is to collect and explain unclear words in Mevlânâ’s Mesnevî. Although there is a doctorate thesis on this dictionary, it has been published in 2006. Any commentary on verse dictionaries are not studied yet. In this paper, we will try to introduce Pîrî Paşa-zâde Mehmed b. Abdü’l-bâkî El-Cemâlî’s Şerh: Tuhfe-i Mîr in the respect of commentary method.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>The Position Of The Poet Against The Divan Poem</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13399</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13399</guid>
      <author>Meheddin İSPİR</author>
      <description>What is the position of the poet in the traditional produced by the</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>Were The Accusative Case Suffix Used After The Third Person Possessive Suffix In The Orkhon Inscriptions?</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13400</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13400</guid>
      <author>Caner KERİMOĞLU</author>
      <description>One of the disputatious subjects about Turkish language is the structure of the third person possessive suffix and the usage of the words which take that suffix in the accusative case. In the historical texts, using of the different forms for the accusative case is one of the facts that make the problem difficult to solve. In this article, we firstly separated the approaches about the usage of the words with the third person possessive suffix in the accusative case into two groups: 1. Possessive suffix (+sI / + I) + Accusative case suffix (+n) 2. Possessive suffix [+(s) I (n)] + Accusative case (0). Secondly, we tried to establish the forms of the words with the third person possessive suffix in the accusative case in the Orkhon Inscriptions, by considering the verb ölür- “to kill”. We determined that all objects, which were used with the verb ölür- and which take the third person possessive suffix, end with the sound “n”. Finally, we explained the subject theoretically by accepting the third person possessive suffix as +(s) I (n).</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>The Commentary Method Of Altıparmak Mehmed Efendi’s Şerh-i Telhîs-i Miftâh</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13401</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13401</guid>
      <author>Atabey KILIÇ</author>
      <description>In Classical Turkish Literature, some of important Arabic and Persian books were translated to Turkish and commentaries were written for them. In Miftâh’ul-Ulûm, which was written by Yûsuf bin Ebu Bekr Es-Sekkâkî (died in 1299), belâgat (rhetorique) was classified to three parts, which are accepted today, called “meânî, beyân, bedî”. But this book’s language is very difficult to understand so Celâleddin bin Abdurrahman Hatîb-i Dımışk, who is well known with the name of Kazvînî, third part of the book was summarized called ‘Telhis´ü’l-Miftah fì’l-Me'anì ve’l-Beyan’. And Altıparmak Mehmed Efendi wrote a commentary for Kazvînî’s book. In this study we try to give some information about the commentary method of Altıparmak Mehmed Efendi’s book.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>Mustafa B. Osman Keskin From Denizli And His Work Named Manzume-i Keskin</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13402</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13402</guid>
      <author>Atabey KILIÇ</author>
      <description>There are almost thirty poem dictionaries in Classical Turkish Literature as we could determine. We can study them in three headlines as Turkish-Arabic, Turkish-Persian, Turkish-Arabic-Persian. In this paper we will try to give information about a verse dictionary which was written by Mustafa bin Osman Keskin in 1758. In this dictionary, which was called "Manzume-i Keskin" by its poet, it is said that the poet is from Kadıköyü of Denizli. We could determine five copies of this Turkish-Arabic-Persian verse dictionary, which has 431 couplets, takes attention to studies of dictionary.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>Reading A Story With Two Gazelles In Terms Of Emotional Components -Dehhânî’s Gazelles With “Olur” And “Eyledi” Redifs-</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13403</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13403</guid>
      <author>Aydın KIRMAN</author>
      <description>In this study, two gazelles of Dehhânî have been examined. It has been emphasised in various resources that he created the first examples of the classical Turkish poetry in Anatolia that can be considered as “irreligious”. For about 80 years, it has also been discussed whether he can be considered as a poet of the 13th or 14th century. The two gazelles, one with “olur” redif, the other with “eyledi” redif, contain aspects of a story of successive emotions in terms of their contents. Therefore, they can be read in relation with emotional components. In this study, the clues for forming a story of typification composed of emotional components expressed in the gazelles have been worked on. As a result, relating the couplets regarding the components of manner, tone, and psychological tension, it has been suggested that the progression of a single story of typification from these two gazelles can be observed. Whether the two gazelles have reached a universal quality in which readers of any period can find something related to themselves and some textual parameters indicating what their values are as classical works are among the issues this study seeks for.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>The Comparison Of Two Commentaries From The Method Angle Made By Walter G. Andrews And İskender Pala Of Nabi’s “Gelür Gider” Rhymed Gazel</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13404</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13404</guid>
      <author>Turgut KOÇOĞLU</author>
      <description>“Şerh” means to commentary the literal texts and make the understood. The classical Turkish Literature works are commentaried in şerh. As the classical Turkish literature were explained in the past, they are today done in the şerh. The conventionel şerh methods have been used since 14th century. At present modern şerh method are being used. Nâbî’s, 17th century, gazel were commentaried by Walter G. Andrews and İskender Pala. The study of these two scientists’ şerh method, could be useful from the text şerh point of view.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>Süleyman Saim Tekcan The Reformist In Turkish Art</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13405</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13405</guid>
      <author>Mehtap KODAMAN</author>
      <description>Süleyman Saim Tekcan is an artist who has serve to reform in Turkish Art and Turkish Art Education . There is a lot of publication which printed about him by national or international area. But his creations have not read properly, yet. In this article review of his art works in the context of Animal Style. Because his art is carrying that qualities of special to Animal Style as abstraction, stylization, accent, asymmetric movements which forcing to anatomy and zoomorphic figures. Calligraphy in his painting has add new logic to Munhani. Moreover, this study suggest message of Huvel Baki in his creations.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>The Effect Of Classıc Poem In The Song Of Orhan Gencebay</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13406</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13406</guid>
      <author>Muhammet KUZUBAŞ</author>
      <description>Orhan Gencebay is someone Turkey’s important artists. In this article, we examined his songs and our classic poem. There are similarities in their between.We studied the above-mentioned similarities.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>The Grade Of Text Presenting, Terms, Text Analysis</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13407</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13407</guid>
      <author>Mine MENGİ</author>
      <description>To serve a manuscript belongs to Classical Turkish Literature to a comtemporary researcher or reader, requires the text to be written in Modern Turkish scripture. Text critic is a study that based on a lot of studies from the author to book. These studies can be listed as determine of text, critic of text, corretion of text, formation and presentation of text. But, after the formation or publication, text commentary and text analysis is necessary for the sake of introducing the text. In this paper the parts of the text presenting are pointed out and the therminology of these parts are explained. Also text analysis wich is important for text studies and its connection with text commentary are pointed out and to be tought paralelly will be offered.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>The Fesahat Section Of Mecâmiü’l-Edeb Of Manastırlı Mehmet Rıfat</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13408</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13408</guid>
      <author>Esra ONUR</author>
      <description>In this article, first, the definitions of Fesahat (pure writing style) will be determined and presented, and then, an information about Manastırlı Mehmet Rıfat Bey’s life nad his works will be handled. Second, his work called Mecamiu’l Edeb will be intruduced.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>The Impressions Of Two Stories In Attar’s İlahi-Name On Anatolian Mathnawies</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13409</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13409</guid>
      <author> Nezahat ÖZTEKİN,</author>
      <description>It is known that Mevlana’s Mesnevi affected other poets’ mathnawies. Furthermore Feridüddin-i Attar and his books, Mantıku’t-Tayr, İlahi-name, Tezkiretü’l-Evliya, affected not only Mevlana, but also other Turkish poets. In this study we are going to try to point out two stories’, which are in Attar’s İlahi-name, affects on Anatolian mathnewies as Işk-name, Hurşid-name, Hüsrev ü Şirin and Süheyl ü Nev-bahar.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>The Commentary Of Sultan III. Murad’s Ghazels</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13410</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13410</guid>
      <author>Kezban PAKSOY</author>
      <description>In Classical Turkish Literature there are many commentary books which are aimed to explain texts. These commentary books are written in order to make books more understandable by readers, and to explain the meaning world of texts. For this reason, a lot of verse and prose commentary books were written. In this paper we try to introduce Şemseddin Sivâsî’s commentary book wich is written on III. Murad’s Persian poems. This commentary book contains 40 leaves and a mecmua taking place in Amcazade Hüseyin Paşa Library in Süleymaniye Library with number 282/2.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>Hâkim Seyyid Mehmed And His Book Called Nazire-i Hilye-i Hâkanî</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13411</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13411</guid>
      <author>Yakup POYRAZ</author>
      <description>As a result of the deep</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>Types Of Woman In Er Tabildi Epic</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13412</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13412</guid>
      <author>Ahmet SAÇKESEN</author>
      <description>Importance and function of Turkish woman will be analyzed during historical process in this article named as “Types of Woman in Er Tabıldı Epic” Types of woman in Er Tabıldı Legend will be explained as ideal wife and mother types ideal lover and assistant types.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>Tunca KORTANTAMER-1</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13413</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13413</guid>
      <author> Hüseyin Serdar TABAKOĞLU,</author>
      <description>The political relations between the Ottoman and the Spanish empires around the Mediterranean reached its peak during the 16th century. However, these two great powers were challenged by the new powers and due to this threat they abandon the struggle around the Mediterranean by the end of the 16th century. The Ottomans and the Spanish sign a truce rather than a formal peace. Throughout the 17th and the 18th centuries the Ottoman and the Spanish Empires lost their power as the primary forces in the world politics. This article aims to understand the Ottoman-Spanish Peace Treaty in 1782, and bring a comparative look to the Ottoman-Spanish relations.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>Some Of The Problems Of Translating At The Point Of Periodicals</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13414</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13414</guid>
      <author>Ahmet TANYILDIZ</author>
      <description>Although there are a lot of studies on tranlating ancient books, there is no agreement abuot the uniqueness of the usage. In this article, we are going to deal with that side of the topip with the help of choosen limited example works published after 2000. Also agreements and arguments on translating problem, our establishes and suggestions are written pointed out.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>Looking Out Clasical Turkish Poem According To Modern Analysis Methods</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13415</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13415</guid>
      <author>Dursun Ali TÖKEL</author>
      <description>Literature has a characteristic of following the changes of investigations and technology. The great literal changes ın 19th century, effected deeply literature studies. After Saussure, the view of the Occident on language and literature changed. This view changed not only structuralism but also linguistic studies, perceiving and utilizing the linguistic existence. In modern terms, all scientific toughts as modernism, structuralism, post-modernism, seemeiology, semantics bring up new points of view to literary texts. The last quarter of 20th century has been the term of understanding Classical Ottoman Poems not only with the view of traditional commentary methods but also modern analysis methods. This paper gives the panorama of all these analysis, methods of Classical Ottoman Poems.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>Investigation Of Fuzuli’s Gazel With “Usanmaz Mı” Redif With Point Of View In Structuralism</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13416</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13416</guid>
      <author>Sibel ÜST</author>
      <description>In this article mentioned that rhyme with “usanmaz mı” gazel of Fuzūlį was investigated point of view in structuralisim. Before given some information about linguistics and structuralism. After gazel was explained and structural specialities was point out.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>Making Use Of Information Technologies In The Study Of Classical Turkish Literature And E-Library Applications</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13417</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13417</guid>
      <author>İlyas YAZAR</author>
      <description>The traditional methods and applications used in Classical Turkish Literary works still remain of great importance currently, besides the facilities that the information age provide shape the methods and applications mentioned above. The progress made in infromation tecnologies and e-library applications contribute to the works made in Classical Turkish Literature and research techniques in this area of study and they also provide alternative options. In addition to advancing the research done in the area of Classical Turkish Literature, some software applications especially the computer and the others improved by means of computers, some projects improved by making use for digital technologies especially e-library works and computer-assited applications lead to new method search. This article proposes making use of information technologies in the study of Classical Turkish Literature, including projects, applications, methods and e-library applications.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>A Poet In The XVII. Century: Allâme Şeyhi, His Diwan And One Qaside</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13418</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13418</guid>
      <author>Sadık YAZAR</author>
      <description>Allâme Şeyhî Efendi, who is introduced in this article, is an important person from the point of view of his both poet ship, and being a scholar in the Ottoman society in the 17th. Century. His scholar side appears as a teacher, qadi and naqîbüleşrâf with several books which he wrote at some matters of fiqh. He also wrote a müretteb (tidy, orderly)</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>On The Problem Of Part Of Speech In Turkish Language</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13419</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13419</guid>
      <author>Mustafa Levent YENER</author>
      <description>Word classification in Turkish language has been a bias for a long time. Up to date many scholar has studied on this problem and offered different solutions. Many of these solutions offered on this problem have been on the base of English, French and German languages which are the members of Indo-Germanic languages. In this paper we will offer a new classification with a new perspective which is based on inner structure of Turkish language belonging to Altaic languages.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>The Matters Of Text Critic And Kâmî’s Divân</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13420</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13420</guid>
      <author>Ali YILDIRIM</author>
      <description>Text critic studies wich are based on understanding a text completely, explaining informations and culturel points in the text, finding out the truth of these informations compose an important part of Classical Turkish Literature. But there are some big problems with published</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>Adaptation Debate, Ahmet Vefik Paşa And Zoraki Tabib Sample</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13421</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13421</guid>
      <author>Bayram YILDIZ</author>
      <description>Adaptation, an item of theatre in Turkish literature beginning with Tanzimat, has been opposed since it would have negative effects on development of national theatre and on Turkish society structure. On the other hand adaptation was supported as it would benefit development of modern theatre. Though the common belief was against adaptation, adaptations of Ahmet Vefik Pasa from Moliere have found acceptance. This acceptance might be due to his preference of comedy and of its best performer in world literature, Moliere, and adaptation of plays consistent with Turkish society structure and moral virtues as in the case of Zoraki Tabip.</description>
      <pubDate>2026-07-16</pubDate>
    </item>
    <item>
      <title>Nev’î’s Mathnawi Münâzara-i Tûtî Vü Zâğ</title>
      <link>https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13422</link>
      <guid isPermaLink="true">https://turkishstudies.net/turkishstudies?mod=makale_tr_ozet&amp;makale_id=13422</guid>
      <author>Ömer ZÜLFEHakan TAŞ</author>
      <description>This work is an academic edition of Nev’î’s mathnawi Münâzara-i Tûtî vü Zâğ.</description>
      <pubDate>2026-07-16</pubDate>
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