Hüseyin Su storytelling shows its existence in two points. On the one hand, it does not neglect the external eyes of the tradition of the thriller, and on the one hand it is open to the new and the modern. This story can be a choice of blending tradition. As a matter of fact, the effect of the recent developments in Turkish literature on literature shows its existence in the 19th century. The Ottoman Empire, which is on the verge of collapse, starts to experience a serious crust change from the first quarter of the 19th century. Westernization movements gain momentum in every field while gaining its share in literature. However, this innovation is not only by the introduction of new species but also by the change of species. The effect of the new discovery of many other social science concepts in the transformation of the tradition of arbitration, started with the stories of Dede Korkut, into modern history is seen intensively. With the new concepts, the characterization of the new type of human being created by the political environment also establishes its own language. Hüseyin Su is a writer who has contributed to the attachment of a long-neglected tale to a literary text with strong sentences. Hüseyin Su expands the outer circle of the stories in his first story book, Ana Üşümesi. The country is in the modern world. However, these indigenous people are presented to the reader with their alienation to their geography. In this article, we will try to understand how the modernization of provincial people in the stories of the author's Ana Üşümesi story and how the author chooses to deal with this.
Hüseyin Su, story, rural people, alienation.
|Yazar:||Canan OLPAK KOÇ -|